As I write this, in Colonial Williamsburg, Virginia, hundreds of attendees and a dozen or so presenters are enjoying the waning hours of the 27th annual “Working Wood in the 18th Century” conference. This year’s theme was “To Furnish a Town: High, Low, and In-Between,” and I was honored to be asked to reproduce for…
Read moreThe below was written by our good friend Mattias Hallin, who lives in Belgium (though he would, I think, want me to let you know he is Swedish). You might recall that he is our non-resident expert in linseed oil paint, from this 2024 post (and he wrote for us about overseas ordering, for those…
Read moreThe following is excerpted from “Honest Labour: The Charles H. Hayward Years” – a collection of essays from The Woodworker magazine while the legendary Charles H. Hayward was editor (1936-1966). These columns are like nothing we’ve ever read in a woodworking magazine. They are filled with poetry, historical characters and observations on nature. And yet…
Read more“Open Wire” is your bi-monthly opportunity to pose to us any and all woodworking questions, and we’ll do our best to answer (if you ask on other days, we’ll tell you to please wait for Open Wire). It’s simple – we post a blog entry on the scheduled Saturday mornings (usually at around 7:30 a.m….
Read moreEvery year Chris, Lucy and I give what we can to a variety of charities. And we are picky. We do our research. And look at the records that charities file each year (here’s a primer). The following woodworking organizations are ones we have supported with both money and time. If you are interested in…
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