We have just received stock of our newest bandana design; this one is navy blue and features a line drawing of the Anthe building (aka the new Lost Art Press shipping location and headquarters), plus a bunch of woodworking machine cutterheads (made by Anthe for more than a century) and bees. The bandanas were made…
Read moreThe following is excerpted from Mary May’s “Carving the Acanthus Leaf.” Learning to carve the acanthus leaf is – for carvers – like a pianist learning a Chopin étude, a young oil painter studying the genius of Rembrandt or an aspiring furniture maker learning to cut dovetails by hand. For carvers, especially those who focus…
Read moreToday, Chris and I are taking turns behind the wheel and at the keyboard (one person per job at a time, of course); we’re headed to Wisconsin to celebrate a dear friend’s birthday. You can help us while away the travel hours with your Open Wire questions. As always, simply post your woodworking questions in…
Read moreLast Friday (Sept. 29, 2023), we exported the “printer pdf” of Derek Jones’ new book, “Cricket Tables,” and sent it off for proofs. We reviewed page proofs on Monday, I uploaded a few corrections, approved said corrections, then it was off to the presses! Below is a short excerpt, the Introduction, to whet your appetite….
Read moreThe following is excerpted from “With All the Precision Possible: Roubo on Furniture,” by André-Jacob Roubo, translated by Donald C. Williams, Michele Pietryka-Pagán & Philippe Lafargue. Representing a decade of work by an international team, this book is the first English translation of the 18th-century masterpiece: “l’art du Menuisier” by André-Jacob Roubo. This, our second…
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