Author Archives: Lost Art Press

Preserving the Purely Bonkers

(Note: This piece is more about writing than it is about woodworking. So if you’re in a “chisel and mallet” mood, I’d move along. — CS) When I come up with an idea for a book, it is so fragile that I’m afraid to speak it out loud. Several years ago I decided to explain…

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Workbench for the Henry Boyd Exhibit

Today we started work on the workbench for the Cincinnati Museum Center’s new permanent exhibit, “Made in Cincinnati.” Our workbench is supposed to represent what woodworker Henry Boyd (1802-1886) might have used at his furniture business. I decided to design a British-style joiner’s bench for the exhibit. It was tempting to build a German-style workbench,…

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An Undiscovered String

One of the frustrating aspects of editing a woodworking magazine was how little unplowed ground was left to explore. Well, let me put it another way: there was little ground that we were permitted to explore.  Most woodworking magazines stick to a steady diet of the following furniture styles: Vaguely Shaker, Somewhat Arts & Crafts,…

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For Sale: Bog Oak Comb Back No. 2

This six-stick comb-back chair with a narrow comb is probably my favorite design to make. It’s both a challenge to build and a delight to sit in. This chair is built using bog oak excavated from Poland that’s between 2,000-4,000 years old. The wood was leftover from a stunning dining table commission built by local…

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Body of Work

When my former boss hired cabinetmakers, he would always ask for photos of their work. It didn’t have to be a fancy portfolio – snapshots were fine. Some of the job candidates brought this to the interview instead: “I’ve made some incredible pieces. I just finished up this coffee table with bookmatched veneer panels, stringing…

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