I’ve used linseed oil paint on casework for some time; this is my first chair using the stuff. This comb-back is painted with Holkham green from Allbäck. On top of the paint is a thin coat of beeswax and washed linseed oil. I am pleased by the result. The hand-brushed paint shows the grain’s figure….
Read moreIn 2018, I shared this trick that David Savage used to improve dovetail joints. He called it “Juicy Lucy,” and it involves flooding the exterior of a joint with extra hide glue to swell the fibers and improve the joint cosmetically. We continue to use his trick with dovetails with great success. And at some…
Read moreI buy and process at least 900 board feet of red oak each year for chairmaking and chair classes. When chosen and cut with care, red oak can look much better than the ugly 1980s kitchen cabinets it is associated with. But before you embrace this inexpensive and plentiful wood, here’s a quick lesson on…
Read moreThe Irish Gibson chair is a feat of ingenuity, simplicity and geometry. Its radical angles and spare construction suggest it is an odd place to sit. But everyone who has sat in one will tell you this: It is remarkably comfortable. I first encountered Gibson chairs through my research on vernacular furniture. And I wondered…
Read moreWhen I came to “A Vampire Chair,” while copy editing Issue No. 1 of The Stick Chair Journal, I side-eyed my own stick chair in my house. Without even reading the first sentence, I thought, There’s more than one? Turns out the story in The Stick Chair Journal is about a fabled chair in Tennessee…
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